Samuel Taylor Coleridge
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They become as one in the same universe. United Kindred Spirits is a non-fictional book of poetic expressions and inspirational poems that will inspire, motivate and encourage individuals from all walks of life.
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Visit Us. About CALS. Board of Directors Job Opportunities. Previous teen poets had fun sharing work with other creative teens Though the contest is a fun aspect of the event and is judged by professionals, the focus of the staff and participants is more on sharing an artistic experience and celebrating creativity. Post navigation Arkansas Filmmaker Spotlight: Dr. Jesse Burks. Search for:. Fill out my online form. Login to the CALS catalog!
Track your borrowing. Rate and review titles you borrow and share your opinions on them. Get personalized recommendations. The interest in the far away and the popular introduced by William Collins and James Macpherson is here focused upon a culture supposed to be still in accordance with nature. In Sonnet 54 "The Sleeping Woodman" , the speaker seeks shelter and isolation from "human converse" in a natural sanctuary which she calls the "pathless bowers" of the "wild copses. By classifying the woodman as "unthinking" it becomes evident that the constraints of contemplation and reflection prevent the speaker from experiencing the woodman's refreshing sleep.
This, however, is granted to her only in death, the "long repose" in which she will no longer have to think of terrestrial problems that had formerly made her uneasy. This "last sleep" is therefore seen as a relief from all the confinements of human life. Sonnet 55 "The return of the nightingale.
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The nightingale is considered a mediator between terrestrial and celestial existence, for it "Tells how benignant Heaven revives the earth. The sweetness of the song will make evil and egoism melt and will evoke the powerful "overflow of […] feelings" which came to be of central significance in Wordsworth's poetry.
The sonnet ends, however, on a note of melancholy: to the speaker the divine nightingale's song has lost its healing powers for she is deaf "to Hope's dear voice and thine! In Emmeline, the Orphan of the Castle Smith includes some landscapes of profound sublimity and grandeur. At the beginning of the novel, the heroine is introduced as living in a old castle in Wales. The mere mention of Wales evokes an idea of a rough and inaccessible kind of landscape.
On parting from Mowbray Castle, the protagonist is overwhelmed by the grandeur of the towers under whose roofs she used to dwell. When the towers of Mowbray Castle are an example of the first type, here is one of the second:. Here it is the grandeur of the sea that appeals to Emmeline's "taste for the sublime," which is affected easily and deeply by the wild scenes of nature.
Modern criticism argues that Emily, the heroine of Ann Radcliffe's The Mysteries of Udolpho was modeled upon the plan of Emmeline's sensibility and her interest in the natural sublime. The sublime, however, is also subject to gradation and Smith's descriptions succeed in being most intense when it comes to an outbreak of the natural forces:. In her descriptions of natural sublimity, Smith foreshadows Wordsworth's conception of nature as well as continues the tradition of natural description of Thomson and Collins, but she also introduces a fusion of elements nobody had attempted before.
This is a "distinctive blend of natural description with an intense but mysterious melancholy" 29 not to be found, for instance, in Wordsworth. What Smith has in common with him is, rather, enjoying nature and trying to model moral growth on the growth of nature.
Though both poets attempted to counteract the "vulgarity and meanness of ordinary life" 30 by applying "inherent and indestructible qualities of the human mind," 31 Smith redefines the "epistemological relationship of the perceiving mind to the object of perception" 32 in that she depicts her own sorrows in terms of uncommon natural phenomena.
Equally, to her the impact of nature comes first where her "environment" is concerned. Perhaps it gives Smith's Romanticism the final touch that she combines "the evocation of natural scenery with a [positive] melancholy and escapist recollection of childhood. Beers, Henry A. New York: Gordian Press, Burke, Edmund. Charles W. New York: P. Foster, James R. Charlotte Smith. London: Prentice Hall International, Gray, Thomas. Sonnet on the Death of Richard West. Roger Lonsdale. London: Longman, Harding, D.
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Boris Ford. Harmondsworth: Penguin, Jung, Sandro. Liverpool: Liverpool UP, Trier: WVT, forthcoming. Kennedy, Deborah. Labbe, Jacqueline M. Lonsdale, Roger, ed. Oxford: OUP, Pascoe, Judith.
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Carol Shiner Wilson and Joel Hafner. Philadelphia: U of Pennsylvania P, Radcliffe, Ann. The Castles of Athlin and Dunbayne. Julian Wolfreys. Renwick, W. The Oxford History of English Literature. Oxford: Clarendon, Warton, Thomas. George Gilfillan. Edinburgh: James Nichol, Wordsworth, William.
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