Two theories as to the inspiration for this composition exists. In , Debussy escaped from France to the island with Emma Bardac, who became his second wife. He was also awarded the much-coveted Prix de Rome where as his prize he spent 4 blissful years at the Villa Medici in the Italian capital devoting his existence entirely to composition. It was during that time at the Villa that he composed these two charming miniatures for clarinet and piano. He wrote these for his friend and old conservatoire classmate, clarinettist Henri Dubois, who at that time recently became appointed professor at the Vallensienne music academy.
Toccata e Fantasia
It is dedicated to the clarinettist David Oppenheim, whom Bernstein met while studying in Tanglewood in and The premiere performance took place at the Institute of Modern Art in Boston. It was performed by David Glazer on clarinet and the year-old Bernstein on piano. She was then awarded a prestigious Swiss government scholarship to study at the Geneva Conservatoire where she graduated with a Prix de Virtuosite Premiere Prix in Shelley continued her studies at the Guildhall School of Music and Drama, London, where she received a post graduate diploma in Orchestral training in She has also participated in clarinet masterclasses with soloists Antony Pay and Michael Collins as well as chamber music masterclasses with Maurice Borgue, Lamar Crowson and the Floristan Trio.
Shelley has performed both as a soloist, orchestral and chamber musician in the UK and abroad. She has also performed as soloist with the Geneva Conservatoire Orchestra, in Switzerland. Pianist and composer, Pavel Timofeyevsky, is quickly gaining a reputation as one of the most exciting and compelling artists of his generation. Solo and chamber music recitals, as well as concerto performances with orchestras have brought him to nearly all major concert venues in UK; these include the prestigious Wigmore Hall, as well as the Royal Festival and Queen Elizabeth Halls in London.
A keen and eloquent speaker, Pavel enjoys giving lecture- recitals and has his own regular lecture concert series for the Kensington Music Society. He continued this collaboration with music-chamber by recording an album of works for viola and piano with violist Katya Lazareva, which was released in Highly sought after as a soloist and chamber music partner, Pavel continues to collaborate with orchestras and to tour extensively with recitals across the UK and abroad, making regular appearances on the British music festival scene. Concerts next season include recital tours of Switzerland and Kenya as well as a return to the US.
Pavel Timofeyevsky Pianist and composer, Pavel Timofeyevsky, is quickly gaining a reputation as one of the most exciting and compelling artists of his generation. Facebook Comments. Sue Maclennan Twitter. June 27, 0. The participants shall cover the individual costs of travel and meals. The Organiser shall not provide any support in obtaining a visa.
The Organiser shall not provide any support in obtaining a health insurance for the period of stay in Poland. It is recommended to possess the above-mentioned insurance due to unforeseeable accidents. The Jury of the Competition consists of outstanding artists — Polish and foreign musicians. The composition of the Jury shall be made public before the beginning of the Competition. The Jury Regulations shall be determined during the first session of the Jury, before the beginning of competition auditions.
The score awarded by the Jury may be published after each stage of the Competition. The results of the Competition are the average of the second and third stage of auditions. The decisions of the Jury are irrevocable and unappealable. Tax shall be deducted from the prizes in accordance with the legal status effective in Poland as of 23 September The cash prizes shall be transferred to the bank account of the laureate within 30 days from the end date of the competition, subject to providing the Organiser with details of the bank account to which the prize is to be transferred.
The Competition prizes shall be transferred to the benefit of the laureates on the condition that the Organiser was previously provided with all necessary data required to settle the flat-rate income tax, pursuant to Art.
Toccata e Fantasia
The Competition Organiser, as a taxpayer, shall pay the flat-rate tax to the relevant tax office on behalf of the laureates. The Jury shall have the right to change the number and arrangement of the main prizes and distinctions, with the reservation that the amount of particular main prizes and distinctions cannot be either lower or higher than stated in the Regulations. The Jury shall have the right not to award particular main prizes or distinctions. Additional awards may be awarded regardless of the above-mentioned prizes.
Any additional both cash and non-cash awards sponsored by institutions or private individuals shall be reported to the Artistic Director of the Competition before the beginning of the third stage of the Competition. The Jury shall have the right not to award special prizes or to decide to divide them.
The participants consent to recording especially in the form of photos and video films , use and publication of their image through any medium, including electronically on the Internet, social media and in printed form. The participants of the Competition shall transfer to the Organiser their proprietary copyrights related to performance of pieces and right to own image recorded during the Competition free of charge. The exploitation of the above-mentioned rights in the above-mentioned fields shall be made by the entities authorised by the Organiser.
The Organisers shall not be liable for any infringement of third party copyrights by any participant of the Competition.
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Data submission is voluntary but required in order to participate in the Competition. Legal basis: Art. On the basis of a separate consent, personal data in the form of e-mail address shall be processed in order to inform the participants about subsequent editions of the Competition. The data for this purpose shall be processed until the consent is withdrawn by the participant.
Dynamic duo in clarinet and piano recital
You may, but do not have to consent to it. The data will also be published on the website: www. Your personal data will not be used for taking decisions by automated means, including profiling. It is required to accept select all consents for personal data processing marked with the so-called asterisk. The Organisers inform that it is mandatory and necessary to possess the original editions of the scores of pieces included in the programme of the Competition in each specialty. By joining the Competition, the participants certify the legality of the scores that they will use. The participants may introduce changes in the programme submitted for the Competition; however, not later than until 11 August Any changes shall be sent electronically to the following e-mail address: sekretariat palac.
The duration of auditions for a single participant should not exceed: 20 minutes in the first stage, minutes in the second stage and minutes in the third stage depending on the specialty. All other pieces have to be performed from memory.
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First stage, three pieces: 1. Eric Schmidt Etude no. Nino Rota Sarabanda e Toccata publisher: Ricordi 2. Jan Wincenty Hawel Rapsodia — Romans op.
Henle Verlag ; the piece must be performed on alto saxophone without repetitions, the participant has the right to their own interpretation of articulation and ornaments 2. Peters 3. Third stage, one piece with the orchestra: 1. Henry Tomasi Concerto for alto saxophone and piano the piece shall be performed from memory. The Artistic Director of the Competition shall have the right to decide in any issues related to the course of the Competition which do not fall with the competence of the Jury.
Such decisions shall be irrevocable and unappealable.
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The Organisers hereby reserve the right to amend these Regulations without stating a reason. The Organiser shall decide in any matters not governed by these Regulations. Any potential court disputes shall be resolved by the court of local jurisdiction over the seat of the Organiser.
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