Stef, Dru and Ash are a bit older, but no wiser.
Our picks tonight
Their dreams of a record deal are put on hold, and it's time to go to find work. They get a job in a local ex-Bingo Hall, and their first task is to put on a birthday party for the owner's 16 year-old granddaughter and her friends. Stef's reeling from discovering his girlfriend Zoe is now his ex-girlfriend, and going out with chart-topping rapper Sexual P.
While he works on his own crazy idea for the party, Ash and Dru decide on a Twilight theme. But when everyone turns up the party, it's not exactly what everyone was hoping for. With three brand new songs, the Broadway-inspired opener I Swear , Stef's gospel number, Black Guy , and Sexual P's hit, 5-A-Day Flex , this episode sees the boys back in the belly of the Beast, along with their eccentric neighbour Sloman, and new regulars, Sylvia the owner of the ex-Bingo Hall, and her granddaughters Ronnie and Hope.
The season has visual effects shots, which visual effects supervisor Jason Zimmerman said was similar to one feature-length film. He went on to say that the department was aiming for "high-end" effects, similar to those seen in films, and that the number of visual effects in each episode was always driven by the story. Composer Jeff Russo wrote several themes for the series, in addition to the main title theme, but not necessarily for the different characters in the show as would often be done. For the Kasseelian Opera that Stamets talks about later in the season, Russo did not want to attempt to make a "futuristic opera", believing instead that "opera is opera" and that it should have the same style as what is heard now.
For the seventh episode, source music from Wyclef Jean is used which Russo compared to people in the current day listening to the music of Johann Sebastian Bach. Russo and Kurtzman responded positively to her rendition, and Russo arranged the theme for the series' piece orchestra to play over the end credits of the season finale after the USS Enterprise appears. Haviv altered her voice for the final recording to match the original s style of the theme. A soundtrack album for the first chapter of the season was released digitally on December 15, , by Lakeshore Records.
With the announcement of the series' title in July came a promotional video giving a first look at the USS Discovery. The video did not feature final designs, as the producers had "three weeks to throw that together.
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We wanted to show fans The concepts of the ship are totally what we're going for and they'll be honed up until, I think, the day we deliver". News described the trailer as "gorgeous" and "truly cinematic", and because of the appearances of Sarek and the Klingons in the footage, "this is the Star Trek you know and love. She continued, "What gets short shrift in this trailer is the series' overarching plot". Wolf Fine Arts Gallery, featuring the USS Discovery ' s captain's chair and other props, costumes, and sketches from the series, as well as limited edition posters for the show and a shop selling item exclusive to Comic-Con.
Pedicabs inspired by the series will give free rides through the Gaslamp District , while a ' TrekDiscovery Challenge' competition will see fans have to take pictures with "authentically costumed Trek ambassadors", one each representing the crews of the five previous Star Trek series, as well as the captain's chair at the art gallery, and post them online with the hashtag TrekDiscovery to be eligible to win a Roku streaming stick and a subscription to CBS All Access. By the beginning of September, promotion for the series was taking place around the world: Isaacs was involved in the launch of the Blackpool Illuminations festival in the UK to promote Discovery ; cast and crew promoted the series at the Fan Expo Canada ; a USS Shenzhou -themed photobooth, that took pictures of fans as Klingons, was in operation at the IFA consumer electronics trade show in Berlin ; and an outdoor campaign of posters and billboards was underway for the show, including a large billboard on the roof of an LAX Airport building.
The second chapter streamed from January 7 to February 11, In the other countries, Netflix released each episode of the series for streaming within 24 hours of its U. After reviewing the episode "Choose Your Pain", Space chose to air it uncensored despite its use of the word "fuck" and depictions of violence. The complainant, the Council, and Space itself acknowledged that the use of the word was unexpected given the franchise's "51 year track record of being fairly clean with regards to its content. At the time, Bell Media accepted the decision and agreed to comply with the ruling, but did not indicate any intention to change their approach to broadcasting future seasons of the series.
Following a 7-day trial period for new subscribers, revenue from the app for CBS doubled on October 1 compared to the average in-app revenue during the previous 30 days. The website's critical consensus reads, "Although it takes an episode to achieve liftoff, Star Trek: Discovery delivers a solid franchise installment for the next generation—boldly led by the charismatic Sonequa Martin-Green. Matt Zoller Seitz of Vulture praised the series' premiere, feeling it "stands tall alongside the best-regarded incarnations of the Trek franchise She gets in trouble.
She breaks rules. She violates Starfleet protocol. She has emotions that get the best of her, even as she knows they shouldn't. She is, in other words, very human". Overall, he declared that " Star Trek is best when it's hopeful, but hope shines brightest amid horror.
On some level, Discovery knows both of those things". But there are reasons to hope that Discovery will be a promising addition to the Trek canon". Chaim Gartenberg for The Verge criticized the "extended prologue" approach, but called the two-part premiere "surprisingly satisfying". He praised Burnham as a "far more rounded, human character than any of the previous captains, with some serious trauma from a Klingon attack in her youth that's left her predisposed to hate the warrior race. And while Star Trek has plumbed the 'main character has demons' well in the past—most notably with Sisko in Deep Space Nine , and Picard in the later films, when it comes to the Borg—Burnham feels far more compelling for not being a flawless human being in other respects, as her series-protagonist predecessors were.
Discussing the season as a whole, Seitz praised it as the strongest first season of any Star Trek series since the original and defended it against fan criticisms, believing that most complaints about the series could be applied to all Star Trek series or were about intentional differences from those prior series that Seitz saw as "honorable attempts" to modernize the franchise "while still keeping the whole thing recognizably Trek.
On the latter, Seitz felt Discovery improved on the efforts of the J. Abrams Star Trek films. He was optimistic for further seasons though, feeling that the end of the season left "the entire slate of the show Netflix listed Star Trek: Discovery fourth in its list of series most watched together by families in From Wikipedia, the free encyclopedia. Main article: List of Star Trek: Discovery episodes. Main article: List of Star Trek: Discovery characters.
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