What We Made: Conversations on Art and Social Cooperation


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What We Made: Conversations on Art and Social Cooperation by Tom Finkelpearl

In What We Made, Tom Finkelpearl examines the activist, participatory, coauthored aesthetic experiences being created in contemporary art. He suggests social cooperation as a meaningful way to think about this work and provides a framework for understanding its emergence and acceptance. In a series of fifteen conversations, artists comment on their experiences working cooperatively, joined at times by colleagues from related fields, including social policy, architecture, art history, urban planning, and new media.

Issues discussed include the experiences of working in public and of working with museums and libraries, opportunities for social change, the lines between education and art, spirituality, collaborative opportunities made available by new media, and the elusive criteria for evaluating cooperative art.

Finkelpearl engages the art historians Grant Kester and Claire Bishop in conversation on the challenges of writing critically about this work and the aesthetic status of the dialogical encounter. He also interviews the often overlooked co-creators of cooperative art, "expert participants" who have worked with artists. In his conclusion, Finkelpearl argues that pragmatism offers a useful critical platform for understanding the experiential nature of social cooperation, and he brings pragmatism to bear in a discussion of Houston's Project Row Houses. It will be an extremely valuable resource for artists, art historians, and museum professionals.

Tom Finkelpearl gives us perspectives from artists' on-the-ground experiences and a welcome revisiting of Dewey, contextualized by a sweeping introduction that alone is worth the price of the book. These conversations by key practitioners and thinkers are a snapshot of thinking around the emergence of social and collaborative art, which seeks to improve society and address social issues Finkelpearl ably situates collaborative and participatory art within the chronology of American art history.

What We Made

This book will be at home in university libraries and can function well as a course text in the field of public-art studies. Aligning well with the political commitments of the projects [Finkelpearl]'s shepherded in Queens, the book does not have a single authorial voice. Instead, it's comprised of edited transcripts of interviews and conversations with over 20 artists, curators, academics, and otherwise [ Instead, the conversations foreground the nuanced and complex social relations tied up in any artwork, but particularly collaborative artwork that draws on communities operating largely outside of the arts marketplace.

And the projects Finkelpearl has chosen to discuss and feature by and large demonstrate real possibilities for genuine exchange across networks and communities.

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Add to Wishlist. Ships in 7 to 10 business days. In his conclusion, Finkelpearl argues that pragmatism offers a useful critical platform for understanding the experiential nature of social cooperation, and he brings pragmatism to bear in a discussion of Houston's Project Row Houses.


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Toon meer Toon minder. Recensie s Finkelpearl has provided his readers with a rich description of a particular, influential movement in the art museum world.

Conversations on Art and Social Cooperation

This book illustrates his own commitment to social collaboration. By presenting the conversations that make up the core of this volume, he brings this aspect of the art museum world to a larger public.


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  4. The author's introduction provides a useful overview of the situation in contemporary America. Instead, the conversations foreground the nuanced and complex social relations tied up in any artwork, but particularly collaborative artwork that draws on communities operating largely outside of the arts marketplace. And the projects Finkelpearl has chosen to discuss and feature by and large demonstrate real possibilities for genuine exchange across networks and communities.

    Recensie(s)

    Finkelpearl ably situates collaborative and participatory art within the chronology of American art history. Reviews Schrijf een review. Kies je bindwijze. Verkoop door bol. In winkelwagen Op verlanglijstje. Andere verkopers 1. Bekijk en vergelijk alle verkopers. Gratis verzending 30 dagen bedenktijd en gratis retourneren Ophalen bij een bol. Anderen bekeken ook.


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    Claire Bishop Artificial Hells 26, Grant H. Kester Conversation Pieces 28, Kester The One and the Many 24, Ernesto Pujol Art School 33,

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    What We Made: Conversations on Art and Social Cooperation What We Made: Conversations on Art and Social Cooperation
    What We Made: Conversations on Art and Social Cooperation What We Made: Conversations on Art and Social Cooperation
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    What We Made: Conversations on Art and Social Cooperation What We Made: Conversations on Art and Social Cooperation
    What We Made: Conversations on Art and Social Cooperation

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