The Faces behind the Pages that Inspire (A Victim No More Book 2)


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He does not flee, and can be just as dangerous standing still as when obviously teleporting. He is capable of — and often will — stay within several dozen feet of his target, no matter how they try to escape. It seems to be part of his psychological attack to stay just within visual range without actually attacking — the fact that he is there , no matter what, is often described as worse than actually being attacked, the psychological effects often deteriorating the mind of the victim as a result.

He appears to be able to follow any and all targets regardless of where they go, or where and how they hide. It isn't certain how he does this, but he seems able to keep a perfect trace on its targets, often speculated to be a part of his supposed existence as a potentially omnipresent being. See page: Slender Man in Mythology and Culture. For any Non canon abilities and descriptions, please see Unconfirmed Slenderman Assumptions. The Slender Man has no specifically confirmed history, but contributors to the mythos have placed early sightings of Slender Man-like beings in Germany in the early s and before.

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Historically, the entity often took on the appearance of a knight or a noble figure. Germanic myths and fairy tales have been cited as containing Slender Man-like creatures as cautionary tales for children.


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Photographs from the early s are the first confirmed reports, where images of the Slender Man can be found in old photographs. Reports from this time indicate sightings in America, the UK, and Russia, usually connected to reports of child disappearances. In the mids, several run-ins occurred in the war zones in Germany, which is theorized to be The Slender Man's native land. Soldiers were the primary targets here. In America and Canada, there were reports of missing skiers and children, mainly coming from forested and unoccupied areas. He is also held responsible for several strings of buildings burning with no apparent cause, and multiple related deaths.

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The few survivors of Slender Man attacks, along with accounts left by victims, show the following historic traits:. Originally, Slender Man killed its victims by impaling them on the branches of very tall trees and allowing them to bleed to death. The victims' corpses did not show any sign of a struggle. However, as time has gone on, it would seem that Slender Man has abandoned this practice.

In the late s, the more and more common use of cameras and camcorders allowed technology to shed more light on the creature, and The Slender Man was recorded and photographed stalking potential victims many times. In the late s to early s, several individuals recorded ongoing stalking and attack scenarios with themselves and friends. New accounts of The Slender Man's powers, abilities, and attacks show some drastic differences from his original behaviors.

Gone is the original desire to impale targets on trees, his overtly aggressive attitude, and the tendency to target mainly children. He now appears to target people who encountered him as children, often stalking them for years. It does so in such a way that the target is often unaware of his presence for months, years, or even decades.

Typically, the victim won't be aware of its attention until far too late. He torments an individual by repeatedly appearing and vanishing — usually without harming the victim in any physical way. He invades the mental safety of his prey by appearing inside their house, outside their home, on roads they travel, at their place of work when they are alone or ensuring only the victim can see him, or while the target is sleeping.

The sporadic and unexpected nature of these manifestations causes fear and unease, which eventually can grow into incredible paranoia. This period of stalking can last anywhere from several minutes to decades. The longer Slender Man stalks a victim, the greater strain on their mental health, which may be one of his goals. As mentioned, the behavior of taking organs out or impaling targets appears to have been abandoned.

Victims are usually alone when they vanish, leaving no witnesses. What little camera footage has been found is incredibly distorted and it is nearly impossible to even theorize as to what they depict. The victims are almost never found, dead or alive, and it has been speculated that perhaps he does not kill victims immediately. Victims who are stalked by The Slender Man for extended periods show excessive damage to their social life, physical health, and even their careers. Typically individuals will show massive moods swings and constant irritation, lose track of large periods of time, and have difficulty maintain communication with friends or holding down steady work.

Memory losses can be as long as several weeks or months, and often an individual awakens and attempts to return to their life only to find it ruined. These patterns are possible indications that The Slender Man has at least some indication that he has knowledge and experience with how the human mind works and reacts to various stimuli. It is possible that he exploits this deliberately.


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Abandoning its more blunt tactics of impaling and gutting its victims, it is possible he has moved to more subtle forms of attack, such as invading their mind, surroundings, and thus eliminating any feeling of safety and driving them to insanity in a slow torment. The Slender Man is most commonly depicted as being found in deserted and derelict locations, often forested, where he can hunt without his victims being able to get help from other people or emergency services. It shows a preference for forests and dense woodlands, partly because he can easily blend with the trees, and partly because of how easy it is to confuse and terrify victims.

He has also been encountered in graveyards, old houses, ghost towns and abandoned mansions, where he lies in wait behind walls and doors to ambush its victims.

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The least known of these is an unknown organization which tracks and observes and is also possibly involved with Slender Man. The Organization is officially unnamed, though it may be known as Optic Nerve , and appears only in early written accounts. Slender Man has links to many Proxies, which are insane individuals under his control or influence. Slender Man has also spawned many philosophical and theoretical cults made up of uninfluenced but aware individuals, such as the Novus Ordo Europa in DarkHarvest The Rake is the name given to another mystery creature that is somehow linked or associated with Slender Man.

The Rake has a far shorter history, and the only real appearance of association with Slender Man or a Proxy is through the video accounts of EMH. Slender Man in Marble Hornets. Slender Man in DarkHarvest Slender Man in MLAndersen0. Slender Man in TribeTwelve. Encyclopedia Slenderia contains large amounts of information on Slender Man canon. The Slender Nation is a network of various places to discuss Slender Man, including a partly developed Wiki.

They currently are most known for their interactions with people involved in Slender Man mythos, and in their development of Core Theory.

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Their Marble Hornets and Slender Man Mythos sections of their forums attract thousands of posts every week. I thought we would love each other forever. I remember our teacher telling us that is was an adolescent phase people outgrew. Sara did, I didn't. In I fell in love with a girl named Christina. That year I came out to my parents.

I couldn't have done it without Chris holding my hand. My father wouldn't look at me, he told me to go and never come back. My mother said nothing. But I had only told them the truth, was that so selfish? Our integrity sells for so little, but it is all we really have. It is the very last inch of us, but within that inch, we are free. I'd always known what I wanted to do with my life, and in I starred in my first film, "The Salt Flats". It was the most important role of my life, not because of my career, but because that was how I met Ruth.

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The first time we kissed, I knew I never wanted to kiss any other lips but hers again. We moved to a small flat in London together. She grew Scarlet Carsons for me in our window box, and our place always smelled of roses. Those were there best years of my life. But America's war grew worse, and worse. And eventually came to London. After that there were no roses anymore. Not for anyone. I remember how the meaning of words began to change. How unfamiliar words like collateral and rendition became frightening. While things like Norse Fire and The Articles of Allegiance became powerful, I remember how different became dangerous.

I still don't understand it, why they hate us so much. They took Ruth while she was out buying food. I've never cried so hard in my life. It wasn't long till they came for me. It seems strange that my life should end in such a terrible place, but for three years, I had roses, and apologized to no one. I shall die here. Every inch of me shall perish.

Every inch, but one. An Inch, it is small and it is fragile, but it is the only thing the world worth having. We must never lose it or give it away. I hope that whoever you are, you escape this place. I hope that the world turns and that things get better. But what I hope most of all is that you understand what I mean when I tell you that even though I do not know you, and even though I may never meet you, laugh with you, cry with you, or kiss you.

I love you. With all my heart, I love you. Not unless you let it. They made you into a victim, Evey. They made you into a statistic. But, that's not the real you. That's not who you are inside. V: Who? Who is but the form following the function of what and what I am is a man in a mask. Evey Hammond: Well I can see that. V: Of course you can. There's only an idea. Ideas are bulletproof. All that we have left to choose is the correct moment to begin. You've been in a prison all your life. Happiness is a prison, Evey. Happiness is the most insidious prison of all.

Your lover lived in the penitentiary that we are all born into, and was forced to rake the dregs of that world for his living. He knew affection and tenderness but only briefly. Eventually, one of the other inmates stabbed him with a cutlass and he drowned upon his own blood.

Is that it, Evey?

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Is that the happiness worth more than freedom? It's not an uncommon story, Evey. Many convicts meet with miserable ends. Your mother. Your father. Your lover. One by one, taken out behind the chemical sheds All convicts, hunched and deformed by the smallness of their cells, the weight of their chains, the unfairness of their sentences.

I didn't put you in a prison, Evey. I just showed you the bars. It's just life, that's all! It's just how life is. It's what we've got to put up with. It's all we've got. What gives you the right to decide it's not good enough?

The Faces behind the Pages that Inspire (A Victim No More Book 2) The Faces behind the Pages that Inspire (A Victim No More Book 2)
The Faces behind the Pages that Inspire (A Victim No More Book 2) The Faces behind the Pages that Inspire (A Victim No More Book 2)
The Faces behind the Pages that Inspire (A Victim No More Book 2) The Faces behind the Pages that Inspire (A Victim No More Book 2)
The Faces behind the Pages that Inspire (A Victim No More Book 2) The Faces behind the Pages that Inspire (A Victim No More Book 2)
The Faces behind the Pages that Inspire (A Victim No More Book 2) The Faces behind the Pages that Inspire (A Victim No More Book 2)
The Faces behind the Pages that Inspire (A Victim No More Book 2) The Faces behind the Pages that Inspire (A Victim No More Book 2)
The Faces behind the Pages that Inspire (A Victim No More Book 2) The Faces behind the Pages that Inspire (A Victim No More Book 2)
The Faces behind the Pages that Inspire (A Victim No More Book 2) The Faces behind the Pages that Inspire (A Victim No More Book 2)
The Faces behind the Pages that Inspire (A Victim No More Book 2) The Faces behind the Pages that Inspire (A Victim No More Book 2)

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