Finally Comes The Poet: Daring Speech for Proclamation


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Article Information Author: Julian C. The Authors. This work is licensed under the Creative Commons Attribution License. Open Access. Article Information. Author: Julian C. Outo biografie as teologie.

In This Original Research Back to top Auto biography as theology This article provides a reflection on the relationship between auto biography and theology. This reflection is done with reference to, and in honour of the story of Theuns Dreyer. The author positions himself on the theory that the theology develops on a narrative basis and therefore also by way of auto biography. The richness of walking the inbetween land ecotone and to combine two contexts church and academia in one story is also explored.

Ongelukkig was die Hervormde en die NG-opleiding op daardie stadium nog in twee afdelings van die Fakulteit Teologie geskei — twee afdelings wat eintlik maar soos twee afsonderlike fakulteite gefunksioneer het.

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Onswas dus van mekaar bewus, maar het relatief min raakpunte gehad. Ons het almal saam die eerste BA-deel gehad en dit is waar die Nederduits Gereformeerde- en die Hervormdestudente mekaar redelik goed kon leer ken. Sedert daardie jare het ons twee se paaie in die twee verskillende denominasies, weg van mekaar, maar tog steeds in sigafstand van mekaar, ontwikkel. Ons het albei voortgegaan met studies in Praktiese Teologie en is mettertyd aangestel as hoogleraars in ons vak — Theuns in Afdeling A en ek in Afdeling B.

Terwyl ek hoof was van die Departement Praktiese Teologie,was dit nodig dat ons goeie kontak behou. Veral in die laaste jare toe die kerklike kontrakte tussen die verskillende kerke en die Universiteit heronderhandel moes word, het ons nader aan mekaar gegroei. Ons paaie het dikwels gekruis. Back to top Die boek van James McClendon staan in die tradisie van narratiewe teologie waar godsdienstige idees in storievorm uitgedruk word. Daar moet onderskei word tussen oortuigings en beginsels. Laasgenoemde word bewustelik gevorm, terwyl oortuigings onbewustelik gelewe en uitgeleef word.

Wanneer ek ook na my eie verhaal verwys, probeer ek nie die aandag van Theuns Dreyer na myself verskuif nie. Inteendeel, ek probeer slegs met enkele verwysings na my eie verhaal iets illustreer van dieverband tussen biografie en teologie. Wat gebeur as mens outo biografies werk? Stories kom na vore.

Ervaringe word ge-storie en in die nadenke daaroor en refleksie daarop, ontstaan nuwe verhale. Natuurlik is verhale ook vol argumente, maar hulle is veral kontekstueel.

The Miraculous Harmony: The Word, Heavenly Doctrine, Course in Miracles

Argumente wat los van verhale aangebied word, loop die gevaar om a-histories, a-kontekstueel en uiteindelik irrelevant te raak. Nie net irrelevant nie, maar ook nutteloos en magteloos. Deur die proses van taling languaging vorm ons ons verhale, maar dan vorm daardie verhale weer vir ons tot wat ons word. The social construction of preferred realities, wat in verskyn het aangebied is. Met die fokus net op jou, word jy deur die twee aanbieders gelei om enige ervaring of aspek van jou lewe te vertel en al vertellende te konstrueer.

Toe my beurt aanbreek, het ek gekies om met hulle in gesprek te tree oor die verhouding tussen my teologie en die narratiewe terapeutiese benadering. Dit het my vir die eerste keer gehelp om my teologie te eksternaliseer en daarop te reflekteer.

A Course in Miracles Original Edition | Chain of Miracles Blog

Ek kon veral ook ontdek hoedat my teologie eenvoudig deel van my lewenstorie is. Dit was juis hierdie ervaring wat my verdere vrymoedigheid gegee het om my boek, Om te mag twyfel , te skryf en te publiseer. Back to top My blootstelling aan bogenoemde en ander narratiewe prosesse het my gehelp om meer vry te raak van dogma en om die narratiewe benadering ook teologies teomhels.


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Deel daarvan is die ontdekking dat teologie ook nie los gedink kan word van die self en die verhaal van die self nie. Teologie, soos alle aspekte van ons lewensparadigmas, kan alleen verstaan en geformuleer word met verwysing na hierdie matriks. The book is a rich, diverse, and moving collection of original materials from the dedication and then memorial events of the fall of at Amherst, stories of how the speech galvanized students in the audience to lead lives of civic commitment, and reflections on these themes by a set of distinguished commentators. The book is a civics course in a nutshell.

Former senior attorney and advisor for the Office of Legal Counsel, U. President Kennedy mastered the art of language in conveying a timeless message about our nation and its highest principles. Like Lincoln and Franklin Roosevelt, he used language to reinforce our loftiest ideals. The personal interplay between Robert Frost and John F. Kennedy serves as a backdrop to a perceptive description of the interplay of the arts and modern day politics.

By the time I was an undergraduate, John F. And that decade had seemed like a century. But the visit itself remained fresh in many minds. And the message can never be dimmed by age. Has any president spoken more eloquently about the critical role of literature and the arts in the life of our republic? Or about the critical responsibilities that go with privilege?

To deliver this message at Amherst was especially appropriate — a college with a long tradition of service, one that would be revitalized by many of the students who heard Kennedy speak. When civic culture is fractured and the value of the liberal arts is questioned, this message from has particular resonance. For the first time in our American history, Kennedy invited a poet, Robert Frost, to read a poem at a presidential inauguration. Nonetheless, President Kennedy accepted an invitation to speak at a convocation at Amherst College to dedicate the Robert Frost Library. We heard that speech firsthand; we wanted a new generation to hear those words.

Nelson, a lifelong activist, describes his experiences with the Peace Corps in rural Turkey; Downs, an attorney, recounts his efforts to bring justice to wrongly accused immigrants; Palumbo, who reports for the New York Times, witnesses the ravages of war on life in El Salvador; Wanlass, a rancher, tells of collecting the art of the American West for the Nora Eccles Harrison Museum of Art at Utah State University.

Poets, artists, writers, political and religious leaders, all have been in the forefront of the effort to clarify our values. These collected stories, from various perspectives, recall or revisit a towering speech. The reader can find the background of the Frost-Kennedy relationship and the words the audience heard, see the words in action over five decades, and then explore the lessons that they hold for us today. If these stories — the memories of one fall day and a presidential speech, the lives our classmates lived, and the reflections of historians and scholars — stimulate well-informed, civil, serious discussions and renewed civic engagement, then we have done what we set out to do.

On April 9, , President Kennedy issued a presidential proclamation that made Winston Churchill an honorary citizen of the United States.

Finally Comes The Poet: Daring Speech for Proclamation Finally Comes The Poet: Daring Speech for Proclamation
Finally Comes The Poet: Daring Speech for Proclamation Finally Comes The Poet: Daring Speech for Proclamation
Finally Comes The Poet: Daring Speech for Proclamation Finally Comes The Poet: Daring Speech for Proclamation
Finally Comes The Poet: Daring Speech for Proclamation Finally Comes The Poet: Daring Speech for Proclamation
Finally Comes The Poet: Daring Speech for Proclamation Finally Comes The Poet: Daring Speech for Proclamation
Finally Comes The Poet: Daring Speech for Proclamation Finally Comes The Poet: Daring Speech for Proclamation
Finally Comes The Poet: Daring Speech for Proclamation Finally Comes The Poet: Daring Speech for Proclamation
Finally Comes The Poet: Daring Speech for Proclamation Finally Comes The Poet: Daring Speech for Proclamation
Finally Comes The Poet: Daring Speech for Proclamation

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