New York: Princeton Architectural Press, Dod, Karl C. Washington D. Fowle, Barry, ed. Builders and Fighters: U. Fort Belvoire: U. Delkettie, Buck. Hendricks, Charles. Hudson, Ray. Marston, Marvin R. Men of the Tundra: Alaska Eskimos at War. New York: October House, Prescott: Wolfe Publishing, Salisbury, C. Soldiers of the Mists: Minutemen of the Alaska Frontier. Wooley, Chris and Mike Martz. Amme, Carl H.
Plains: Plainsman Publishing, Blair, Clay. Silent Victory: The U. Submarine War Against Japan. Philadelphia: Lippincott, Freeman, Elmer. Spokane: Kedging Publishing, Carrigan, Paul E. Forked River: Regal-Lith Printers, Dickrell, Jeff. Mills, Stephen E. New York: Bonanza Books, Cracking the Zero Mystery: How the U. Harrisburg: Stackpole Books, Stevens, Peter F. Washington, D. Aleut Story. A Sprocketheads Production. Aleut Evacuation: The Untold Story. Directed by Michael and Mary Jo Thill.
Breu, Mary. Anchorage: Alaska Northwest Books, Kirkland, John C. Kohlhoff, Dean. Mobley, Charles M. Smith, Barbara Sweetland. Bezeau, M. Coyle, Brendan. Surrey, B. Dziuban, Stanley W. Military Relations between the United States and Canada, Washington: Department of the Army, Neely, Alastair. Perras, Galen R. Daniels, Roger, et al. Japanese Americans from Relocation to Redress.enter
Revised Edition. Seattle: University of Washington Press, Inouye, Ronald K. Kobayashi, Sylvia K. Army Corps of Engineers, Alaska District, Fairbanks, AK: U. Army Garrison Fort Wainwright, Lake, Gretchen. Long, Everett A. Cobras Over the Tundra. Fairbanks: Arktika Publishing, Moor, Jay H. Anchorage: Alaska Historical Commission, Price, Kathy. Smith, Blake W. Agawa, Hiroyuki. New York: Kodansha International, Dull, Paul S.
Annapolis: U. Naval Institute Press, Francillon, Rene J. Garden City: Doubleday, Fuchida, Mitsuo and Okumiya Masatake. Midway: The Battle that Doomed Japan. Lorelli, John A. Marder, Arthur Jacob. New York: Oxford University Press, Parshall, Jonathan and Anthony Tully. Dulles: Potomac Books, Inc. Takahashi, Hisashi.
Benedict, Bradley H. Littleton: H. Benedict, Cloe, John Haile. Cloe, John Haile and Michael F. Goldstein, Donald M.
Archives & Special Collections
Fayetteville: University of Arkansas Press, Johnson, Robert Erwin. Leahy, Joseph M. Montgomery Watson, prepared for the U.
Woodman, Lyman. Duty Station Northwest: The U. Army in Alaska and Western Canada, Alaska Veterans Museum W. These include the uniform and rifle of an Alaska Scout and details about the Alaskan Territorial Guard; a diorama of aircraft used during the Aleutian Campaign; and a vision of life inside a Quonset hut. The National Archives contain vast collections of U. It is one of the best places to find material on Alaska during WWII, either in person or by interlibrary loan.
The Pioneer Air Museum has on display photographs, Russian uniforms, and other memorabilia related to the Lend-Lease Program, which ferried aircraft to the Soviet front via Alaska. The Museum is also home to a single- engine Norseman plane used during the War for cargo delivery and search-and-rescue missions.
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Elmer E. Rasmuson Library includes an extensive Alaska collection containing many of the works cited in this bibliography. The Baranov Museum houses both historical photographs and memoirs relating to the Aleutian Campaign and the role of the Kodiak Naval Operating Base in particular.
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The Sitka Historical Society and Museum holds WWII collections consisting of three-dimensional objects such as uniforms, medals, and military equipment, as well as an extensive photograph collection. Museum of the Aleutians Salmon Way P. The Museum of the Aleutians collection includes weapons, historical photographs, uniforms, diaries, flightlogs, and Japanese flags from the Aleutian Campaign.
This site has a large variety of digitized photos, interviews, documents, and films from World War II. The site is maintained by the Alaska State Library. The site is maintained by Alaska State Museums. Naval Historical Center began producing combat narratives of specific naval campaigns. This once- restricted document is offered by the NHC not as an official history but as a view through the eyes of the Navy in Aleutian Islands: The U. Army article on the Aleutian Campaign. Included also are maps, illustrations, and a list of suggested reading.
It provides information on the Aleutian Campaign, Aleut Evacuation, interviews with veterans, and other information of interest to the general public, teachers, and students. It offers a series of short narratives concerning all aspects of the War in the Pacific, including the Aleutian Campaign. The photos belonged to Dr. Will R. Eubank, an aviation medical examiner in the Army Air Corps. While this guide is intended primarily to assist teachers and students in finding information about the World War II in Alaska it also important to be able to identify types of sources and how to properly cite them in a bibliography or note.
Below is some general guidance and some links to more specific guidance to help you in you research. Primary Sources A primary source is a piece of information about a historical event or period in which the creator of the source was an actual participant in or a contemporary of a historical moment. Examples include historic photos, diaries, government documents, artifacts, and other written and tangible items created during the historical period you are studying.
Secondary Sources A secondary source is a source that was not created first-hand by someone who participated in the historical era. Examples of secondary sources inlude journal articles and books written about historic events by historians, using primary and secondary sources. Tertiary Sources Tertiary sources are based on a collection of primary and secondary sources and may or may not be written by an expert. Tertiary sources are only used as exploratory sources and should never appear in your bibliography.
These include dictionaries, encyclopedias, fact books, and guide books and are intended to give you ideas about what to research. Wikipedia is popular tertiary source that should not appear in your bibliography. A key part of any research project is citing your sources. If you are doing a National History Day project Turabian or MLA must be used to cite your sources, however it is recommended that you ask your teacher before deciding which style to use. Below are the citations for each of the respective guides written in their bibliographic formats.
Note the subtle differences in each. Turabian, Kate L.
Chicago: University of Chicago Press. University of Chicago Press. The Chicago Manual of Style, 16th Edition. Chicago: University Chicago Press, NHD is an innovative curriculum framework in which students in grades learn history by selecting topics of interest and launching into a year-long research project. The purpose of National History Day is to improve the teaching and learning of history in middle and high schools.
These projects are entered into competitions in the spring at local, state and national levels where they are evaluated by professional historians and educators. The program culminates with the national competition held each June at the University of Maryland at College Park. Explore This Park. World War II in Alaska. Introduction American and Canadian soldiers made an amphibious landing on the island of Kiska, August 16, Buildings burn following the Japanese attack on the fort at Dutch Harbor, June 3, A second, more damaging attack came the next day, though the P Aleutian Tigers scrambled to intercept the enemy from a secret base Fort Glenn on Umnak Island.
Aleut villagers faced an uncertain future both when they left for and returned from camps in southeast Alaska. Aleutian Pribilof Islands Association Inc. Attu, Aleutian Islands. Landing boats pouring soldiers and their equipment onto the beach at Massacre Bay. This is the Southern landing force. Black engineers build a trestle bridge during the construction of the Alaska Canada Military Highway. Black G. Aleutian Campaign Alaska Geographic. Kodiak , vol. Murray, Robert Haynes.
The Only Way Home. Waycross: Brantley Printing Company, Pamphlet United States Army, Native Defenders Delkettie, Buck. Warplanes and Seacraft Amme, Carl H. Thus, reflecting the time, this display has multidirectional narratives, between the scene on the shirt and blue beads on the leggings, the text describing the immense trade value of blue and white beads in the early 19th century to Indigenous peoples, and the Bodmer painting. This regalia shines with a stunning silk centerpiece of wide stripes and abstract, plant-like forms complemented by cowry shells on the sleeves and seed bead floral designs over the shoulders.
A case across the hallway spotlights an indigo-dyed wool Nez Perce regalia dress circa that features a yoke of lane-stitched seed beads, cowry shells, brass sequins, and basket beads on hide fringe. This dress corresponds to a nearby Nez Perce beaded yoke of the same time period. The yoke has a solid, light-blue background with two side-profile deer flanking a head-to-waist frontal portrait of a male wearing a green possibly beaded vest.
Within this beaded yoke a universe of meaning is reflected, as indicated by the central theme of the exhibition and subtext of its title. Throughout the exhibition, attention is given to different types of beaded bags made in the not-too-distant past.
And in the center of the exhibition space, a section is devoted to tobacco. The works in this case were created during the mid- to late 19th century and represent the mosaic of variant color, patterning, and texture put forth by combinations of seed beads, pony beads, and tin cones. At the back of the exhibition gallery, a section is offered to honor children. With the extended text panel for these objects placed parallel to the case, audience movement is facilitated, and the beadworks feel very much alive.
This exhibition provides visitors with an expansive view of beadwork and intercultural fusion. In closing, a concern about the exhibition was the omission of media listings from labels.
More information about the beads, shells, metals, hides, and fabrics could further resonate with viewers, leaving a lasting impression of the material artistry found in beadwork. Exhibition page: wheelwright. Subscribe Advertise Contact Us.
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