It one of the earliest records of the stories. Graves, Robert. The Greek Myths. New York: George Braziller, Inc. A major reference work as it examines Greek mythology as it has been interpreted by the various scholars and poets throughout the ages. Zimmerman, J. Dictionary of Classical Mythology. New York: Bantam Books, A handy reference giving a brief explanation of the characters and events in Greek and Roman mythology.
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The Gods and Goddesses of Olympus. New York: Harper Collins, A pretty introduction to the major deities from Greek mythology. Hercules is not mentioned, but this can be used to clarify some of the other characters. Benson, Sally. Stories of the Gods and Heroes. New York: Dial Press, , A retelling of the stories from Greek and Roman mythology written in simple language, appropriate for elementary students.
DAulaires Book of Greek Myths. A comprehensive collection of the stories from Greek mythology8 with enough detail to tell the stories, but also simplified for a younger audience. Good illustrations which have a classical tone. Evslin, Bernard. Of all Lucretius' intellectual strengths, perhaps none is more characteristic or stands out more impressively than his hard, clear commitment to naturalism.
Throughout the poem he consistently attacks supernatural explanations of phenomena and resists the temptation to give in to some form of natural religion or "scientific" supernaturalism.
The world, he argues, was not created by divine intelligence, nor is it imbued with any form of mind or purpose. Instead, it must be understood as an entirely natural phenomenon, the outcome of a random though statistically inevitable and lawful process. In short, whatever happens in the universe is not the product of design, but part of an ongoing sequence of purely physical events.
Lucretius' principal philosophical shortcoming is that not only will he occasionally follow Epicurean doctrine to the point of absurdity e. As Bergson points out, these howlers can usually be attributed to the defective method of ancient science, which, because it did not require that hypotheses be confirmed by experimentation, allowed even the wildest conjectures to pass as plausible truths.
One further problem is that, for all his reliance on naturalistic explanations and his attempted reduction of metaphysics to physics, Lucretius at times seems to back away, if only ever so slightly, from a purely materialist world view. Indeed in his effusive descriptions of the creative power of nature, effectively symbolized by the figure of Venus, he seems almost like Bergson to postulate an immaterial life-force surging through the universe and operating above or beyond raw nature.
To read this romantic streak into him is clearly a mistake. Lucretius remains a thorough-going naturalist. Yet when his verse is in high gear, one almost gets the impression that somewhere inside this staunchly scientific, fiercely anti-religious poet there is a romantic nature-worshipper screaming to get out.
Lucretius' literary influence has been long-lasting and widespread, especially among poets with epic ambitions or cosmological interests, from Virgil and Milton to Whitman and Wordsworth. Not surprisingly, as one of the main proponents and principal sources of Epicurean thought, his philosophical influence has also been considerable. The extent of his communication with and influence on his contemporaries, including other Epicurean writers, is not known.
What is known is that by the end of the first century A. De Rerum Natura was hardly read and its author had already begun a long, slow descent into philosophical oblivion. It was not until the Renaissance, with the recovery of lost Lucretian manuscripts, that a true revival of the poet became possible. It is probably an exaggeration to say that the restoration and study of Lucretius' poem was crucial to the rise of Renaissance "new philosophy" and the birth of modern science.
On the other hand, one must not ignore its importance as a spur to innovative sixteenth- and seventeenth-century scientific thought and cosmological speculation. Lucretius' influence on early modern thought is most directly visible in the work of the French scientist and neo-Epicurean philosopher Pierre Gassendi In Gassendi published his Syntagma Philosophiae Epicuri , a theoretical refinement and elaboration of Epicurean science. A Catholic priest with a remarkably independent mind, Gassendi seemingly had no problem reconciling his personal philosophical commitment to atomism and materialism with his Christian beliefs in the immortality of the soul and the doctrine of divine providence.
Every modern reader of De Rerum Natura has been struck by the extent to which Lucretius seems to have anticipated modern evolutionary theories in the fields of geology, biology, and sociology. However, to acknowledge this connection is not to say that the poet deserves accredited status as some kind of scientific "evolutionist" or pre-Darwinian precursor. It is merely to point out that, however we choose to define and evaluate its influence, De Rerum Natura was from the 17 th century onward a massive cultural presence and hence a ready source of evolutionary ideas.
The poem formed part of the cultural heritage and intellectual background of virtually every evolutionary theorist in Europe from Lamarck to Herbert Spencer whose hedonistic ethics also owed a debt to the poet - including though he claimed never to have read Lucretius' epic Darwin himself. Bergson's early study of Lucretius obviously played an important role in the foundation and development of his own philosophy.
In Bergson published Creative Evolution , outlining his bold, new vitalistic theory of evolution, in opposition to both the earlier vitalism of Lamarck and the naturalism of Darwin, and Spencer. Bergson's evolutionary philosophy influenced the later "process" philosophy of Alfred North Whitehead and the teleological scientific theories of Pierre Teilhard de Chardin , with the interesting result that it is possible to trace out a fairly direct, if unlikely, line of descent from Greek atomism through the pagan anti-spiritualist Lucretius to the Catholic naturalist Gassendi and then on, via the Jewish-Catholic Bergson, to the highly abstract theism of Whitehead and the "spiritualized" evolutionism of Father Teilhard.
That Lucretius' ideas wound up two thousand years after his death influencing those of a godly British mathematical theorist and a highly original and even eccentric French scientist-priest is remarkable testimony to their durability, adaptability, and persuasive power. In conclusion, it seems fair to say that, far from being a mere conduit for earlier Greek thought, the poet Titus Lucretius Carus was a bold innovator and original thinker who fully deserves the appellation of philosopher. While his literary fame clearly and properly comes first, and although his philosophical reputation is based largely and again properly on his role as one of the principle sources and prime exponents of Epicureanism, his own ideas, especially his evolutionary theories and his entirely naturalistic explanation of all universal phenomena, have exerted a long and important influence on western science and philosophy and should not be underestimated.
Both date from the 9th century. Recently, however, scholars have deciphered a much older and previously illegible manuscript, consisting of papyri discovered in Herculaneum and possibly dating from as early as the first century AD.
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All other Lucretian manuscripts date from the 15th and 16th century and are based on the one no longer extant discovered in a monastery by the Italian humanist Poggio Bracciolini in David Simpson Email: dsimpson condor. Lucretius c. Life Of Lucretius' life remarkably little is known: he was an accomplished poet; he lived during the first century BC; he was devoted to the teachings of Epicurus; and he apparently died before his magnum opus, De Rerum Natura , was completed. Jerome: 94 [sic] BC. Italy during the First Century BCE For the most part, the forty-four years of Lucretius' lifetime was a period of nearly non-stop violence: a time of civil wars, grueling overseas campaigns, political assassinations, massacres, revolts, conspiracies, mass executions, and social and economic chaos.
Even a brief chronology of the times paints a grim picture of devastation, with each decade bearing witness to some new disturbance or uprising: BC: riots erupt in the streets of Rome; two public officials, the tribune L. Lucretius' Personality and Outlook Unlike his hero Epicurus, who had a reputation for being gentle and self-effacing, Lucretius' excitable personality springs vividly from his pages.
At the beginning of Book 2 of his poem, the poet compares the prospect of a person armed with the insights of Epicurus to that of a secure spectator looking down upon a scene of strife: Pleasant it is, when over the great sea the winds shake the waters, To gaze down from shore on the trials of others; Not because seeing other people struggle is sweet to us, But because the fact that we ourselves are free from such ills strikes us as pleasant. As narrator, he stands aloof, a scornful yet at the same time sympathetic witness to mankind's dark strivings and tribulations: Lo, see them: contending with their wits, fighting for precedence, Struggling night and day with unending effort,Climbing, clawing their way up the pinnacles of wealth and power.
Philosophy a. Epicurus From the very start of the poem, and especially in the opening lines of Book 3 a ringing tribute to Epicurus , Lucretius makes it clear that his main purpose is not so much to display his own talents as to render accurately in a suitably sublime style the glorious philosophy of his master: O you who out of the vast darkness were the first to raise A shining light, illuminating the blessings of life, O glory of the Grecian race, it is you I follow, Tracing in your clearly marked footprints my own firm steps, Not as a contending rival, but out of love, for I yearn to imitate you.
Physics One of the great achievements of the scientific imagination, the Epicurean cosmos is based on three fundamental principles: materialism, mechanism, and atomism.
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Canonic The so-called canonic teachings of Epicurus from the Greek kanon , "rule" include his epistemological theories and especially his theories of sensation and perception. As Lucretius remarks, we deceive ourselves because we tend to "see some things with our mind that have not been seen by the senses": For nothing is harder than to distinguish the real things of sense From those doubtful versions of them that the mind readily supplies.
The Design of the Poem De Rerum Natura is an epic in six books and is expertly organized to provide both expository clarity as well as powerful narrative and lyric effects. The basic organization is as follows: Book 1: The poem begins with a justly famous invocation to Venus the poet's symbol for the forces of cohesion, integration, and creative energy in the universe. Lucretius as a Philosopher Critics universally recognize Lucretius as a major poet and the author of one of the great classics of world literature.
A few samples: On superstition: "So powerful is religion at persuading to evil. On luxuries: "Hot fevers do not depart your body more quickly If you toss about on pictured tapestries or rich purple coverlets Than if you lie sick under a poor man's blanket. On life without philosophy: "All life is a struggle in the dark. On new truths: "No fact is so obvious that it does not at first produce wonder, Nor so wonderful that it does not eventually yield to belief.
On reason: "Such is the power of reason to overcome inborn vices That nothing prevents our living a life worthy of gods. Influence and Legacy Lucretius' literary influence has been long-lasting and widespread, especially among poets with epic ambitions or cosmological interests, from Virgil and Milton to Whitman and Wordsworth.https://cexanicimu.cf
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Conclusion In conclusion, it seems fair to say that, far from being a mere conduit for earlier Greek thought, the poet Titus Lucretius Carus was a bold innovator and original thinker who fully deserves the appellation of philosopher. Texts Lucretius: On the Nature of Things. Rouse, trans. Revised and edited by Martin F. Bailey, C.
De Rerum Natura. Oxford, English Translations Munro, H. Cambridge, Latham, R. Harmondsworth, UK: Penguin, Humphries, Rolphe. Bloomington: Indiana University Press, Copley, Frank O. New York: Norton, Critical and Scholarly Studies Bergson, Henri. Philosophy of Poetry: The Genius of Lucretius. Wade Baskin, trans. New York: Philosophical Library, Clay, D.
Lucretius and Epicurus. Ithaca, NY, Jones, H. The Epicurean Tradition. London: Kenney, E. Santayana, George. Three Philosophical Poets.
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Greek Mythology’s Twelve Labors of Hercules: A Choose Your Path Book (Can You Survive?)
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